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	<title>K-Type Independent Type Foundry</title>
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		<title>Mailart Rubberstamp</title>
		<link>http://www.k-type.com/?p=532</link>
		<comments>http://www.k-type.com/?p=532#comments</comments>
		<pubDate>Thu, 25 Apr 2013 09:00:54 +0000</pubDate>
		<dc:creator>keith</dc:creator>
				<category><![CDATA[Freebies]]></category>
		<category><![CDATA[NEW FONTS]]></category>
		<category><![CDATA[Rough / Distressed]]></category>
		<category><![CDATA[Serif]]></category>

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		<description><![CDATA[<a title="Mailart Rubberstamp" href="?p=532"><img src="http://www.k-type.com/wp-content/uploads/2008/08/mar520.png" alt="Mailart Rubberstamp" title="Mailart Rubberstamp" width="520" height="56" class="alignnone size-full wp-image-2754" /></a><br />
<em>Mailart Rubberstamp</em> now has an additional Bold weight and complimentary Obliques. The typeface has also been updated with subtle outline improvements, a bigger repertoire of European accented characters, and more consistent, slightly tighter spacing; increase the tracking to recreate the more relaxed, rustic appearance of the earlier version. The fonts are derived from the individually rubber-stamped letters on printed and collaged envelopes received from mailartists, and the typeface Clarendon Condensed.]]></description>
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		<title>Brush Hand New</title>
		<link>http://www.k-type.com/?p=2727</link>
		<comments>http://www.k-type.com/?p=2727#comments</comments>
		<pubDate>Mon, 01 Apr 2013 11:25:19 +0000</pubDate>
		<dc:creator>keith</dc:creator>
				<category><![CDATA[Comic / Friendly]]></category>
		<category><![CDATA[Freebies]]></category>
		<category><![CDATA[NEW FONTS]]></category>
		<category><![CDATA[Retro / Historical]]></category>
		<category><![CDATA[Script]]></category>

		<guid isPermaLink="false">http://www.k-type.com/?p=2727</guid>
		<description><![CDATA[<a title="Brush Hand New" href="?p=2727"><img src="http://www.k-type.com/wp-content/uploads/2013/04/brush520.png" alt="Brush Hand New" title="Brush Hand New" width="520" height="50" class="alignnone size-full wp-image-2729" /></a><br />
<em>Brush Hand New</em> is a full font based on a copy of Flash Bold called Brush Hand marketed by WSI in the 1990s and more recently distributed through free font sites. Brush Hand was an anonymous redrawing of Flash which simplified, slightly lightened, smoothed out ragged edges, and improved the legibility of the original classic created by Edwin W. Shaar in 1939. ]]></description>
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		<title>Enamela</title>
		<link>http://www.k-type.com/?p=2538</link>
		<comments>http://www.k-type.com/?p=2538#comments</comments>
		<pubDate>Tue, 05 Feb 2013 16:01:00 +0000</pubDate>
		<dc:creator>keith</dc:creator>
				<category><![CDATA[NEW FONTS]]></category>
		<category><![CDATA[Pay Fonts]]></category>
		<category><![CDATA[Retro / Historical]]></category>
		<category><![CDATA[Sans Serif]]></category>

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		<description><![CDATA[<a title="Enamela" href="?p=2538"><img src="http://www.k-type.com/wp-content/uploads/2013/02/enamela520.png" alt="Enamela" title="Enámela" width="520" height="55" class="alignnone size-full wp-image-2548" /></a><br />
<em>Enamela</em> (rhymes with Pamela) is based on condensed sans serif lettering found on vitreous enamel signage dating from the Victorian era and widely used for road signs, Post Office signs, the plates on James Ludlow wall postboxes, railway signs, direction signs and circular Automobile Association wayfinding plaques throughout the first half of the twentieth century. In addition to the Medium and Bold weights found on old enamel signs, a new Regular weight and the addition of lowercase letters to match the original capitals, make Enamela Condensed a flexible and highly usable typeface. ]]></description>
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		<title>Enamela – Lost Lettering?</title>
		<link>http://www.k-type.com/?p=2487</link>
		<comments>http://www.k-type.com/?p=2487#comments</comments>
		<pubDate>Tue, 05 Feb 2013 07:00:40 +0000</pubDate>
		<dc:creator>keith</dc:creator>
				<category><![CDATA[Kernel]]></category>

		<guid isPermaLink="false">http://www.k-type.com/?p=2487</guid>
		<description><![CDATA[
In November 2012 I received an email from Richard Jones in Welshpool suggesting that K-Type create a typeface based on a condensed sans serif he&#8217;d observed on old enamel signs. Richard attached this clear photo of one such sign showing particularly intriguing diagonal terminals on the J and S, and online research showed that the [...]]]></description>
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		<title>Mythica</title>
		<link>http://www.k-type.com/?p=2458</link>
		<comments>http://www.k-type.com/?p=2458#comments</comments>
		<pubDate>Wed, 03 Oct 2012 22:14:27 +0000</pubDate>
		<dc:creator>keith</dc:creator>
				<category><![CDATA[NEW FONTS]]></category>
		<category><![CDATA[Pay Fonts]]></category>
		<category><![CDATA[Retro / Historical]]></category>
		<category><![CDATA[Serif]]></category>

		<guid isPermaLink="false">http://www.k-type.com/?p=2458</guid>
		<description><![CDATA[<a title="Mythica" href="?p=2458"><img src="http://www.k-type.com/wp-content/uploads/2012/10/mythica5201.png" alt="" title="Mythica" width="520" height="67" class="alignnone size-full wp-image-2478" /></a><br />
<em>Mythica</em> is a slightly condensed roman with spur serifs, derived from incised lettering on early twentieth century memorial stones and monuments. The typeface is available in 3 weights each with a complimentary italic.]]></description>
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		<title>Non Solus &#8211; Update 2012</title>
		<link>http://www.k-type.com/?p=2395</link>
		<comments>http://www.k-type.com/?p=2395#comments</comments>
		<pubDate>Sat, 31 Mar 2012 18:06:01 +0000</pubDate>
		<dc:creator>keith</dc:creator>
				<category><![CDATA[Kernel]]></category>

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		<description><![CDATA[
Non Solus, the first digital version of Eric Gill’s ‘Solus’ of 1929, is now offered in four weights, each with a free italic. The typeface is uncluttered and elegant, more modern and less fussy than Joanna, Gill’s other slab serif, and also possessing greater warmth. The Non Solus family brings a forgotten classic back to [...]]]></description>
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		<title>Bank of England</title>
		<link>http://www.k-type.com/?p=2353</link>
		<comments>http://www.k-type.com/?p=2353#comments</comments>
		<pubDate>Sun, 11 Mar 2012 13:09:07 +0000</pubDate>
		<dc:creator>keith</dc:creator>
				<category><![CDATA[Fancy / Quirky]]></category>
		<category><![CDATA[NEW FONTS]]></category>
		<category><![CDATA[Pay Fonts]]></category>
		<category><![CDATA[Retro / Historical]]></category>
		<category><![CDATA[Script]]></category>

		<guid isPermaLink="false">http://www.k-type.com/?p=2353</guid>
		<description><![CDATA[<a title="Bank of England" href="?p=2353"><img src="http://www.k-type.com/wp-content/uploads/2012/03/bankengland520.png" alt="Bank of England" title="Bank of England" width="520" height="70" class="alignnone size-full wp-image-2355" /></a><br />
<em>Bank of England</em> is loosely based on the blackletter lettering from <em>Series F</em> English twenty pound banknotes introduced in 2007. The font also takes inspiration from German Kanzlei (Chancery) typefaces and the 17th century London calligrapher, John Ayres.]]></description>
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		<item>
		<title>Keep Calm</title>
		<link>http://www.k-type.com/?p=2199</link>
		<comments>http://www.k-type.com/?p=2199#comments</comments>
		<pubDate>Thu, 08 Mar 2012 07:27:40 +0000</pubDate>
		<dc:creator>keith</dc:creator>
				<category><![CDATA[Freebies]]></category>
		<category><![CDATA[NEW FONTS]]></category>
		<category><![CDATA[Pay Fonts]]></category>
		<category><![CDATA[Retro / Historical]]></category>
		<category><![CDATA[Sans Serif]]></category>

		<guid isPermaLink="false">http://www.k-type.com/?p=2199</guid>
		<description><![CDATA[<a title="Keep Calm" href="?p=2199"><img src="http://www.k-type.com/wp-content/uploads/2011/06/keepcalm520.png" alt="Keep Calm" title="Keep Calm" width="520" class="alignnone size-full wp-image-2034" /></a><br />
<em>Keep Calm</em> is a family of fonts developed from the now famous World War 2 poster that was designed in 1939 but never issued, then rediscovered in 2000. As well as the original Keep Calm font, the medium weight of the poster, new weights are now available – Keep Calm Book (regular weight), Heavy and Light – and each weight now comes with a free italic. The family contains Central European and Western European accented characters.]]></description>
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		<item>
		<title>Adequate</title>
		<link>http://www.k-type.com/?p=2292</link>
		<comments>http://www.k-type.com/?p=2292#comments</comments>
		<pubDate>Wed, 07 Mar 2012 11:03:20 +0000</pubDate>
		<dc:creator>keith</dc:creator>
				<category><![CDATA[Freebies]]></category>
		<category><![CDATA[NEW FONTS]]></category>
		<category><![CDATA[Pay Fonts]]></category>
		<category><![CDATA[Sans Serif]]></category>

		<guid isPermaLink="false">http://www.k-type.com/?p=2292</guid>
		<description><![CDATA[<a title="Adequate" href="?p=2292"><img src="http://www.k-type.com/wp-content/uploads/2012/02/adequate520.png" alt="" title="Adequate" width="520" height="55" class="alignnone size-full wp-image-2295" /></a><br />
<em>Adequate</em> is a basic geometric sans serif typeface comprising 6 weights plus a free italic with each. The family has modern, workaday letterforms with a tall x-height for clarity and legibility. Adequate does the job; it doesn't claim to be beautiful and lacks the fashionable mannerisms of many contemporary faces, but there is something timeless, perhaps elegant, about its mathematical simplicity.]]></description>
		<wfw:commentRss>http://www.k-type.com/?feed=rss2&amp;p=2292</wfw:commentRss>
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		<title>Component</title>
		<link>http://www.k-type.com/?p=2332</link>
		<comments>http://www.k-type.com/?p=2332#comments</comments>
		<pubDate>Fri, 17 Feb 2012 08:16:48 +0000</pubDate>
		<dc:creator>keith</dc:creator>
				<category><![CDATA[Fancy / Quirky]]></category>
		<category><![CDATA[Freebies]]></category>
		<category><![CDATA[NEW FONTS]]></category>
		<category><![CDATA[Pay Fonts]]></category>
		<category><![CDATA[Post-Modern / Futuristic]]></category>
		<category><![CDATA[Retro / Historical]]></category>
		<category><![CDATA[Sans Serif]]></category>

		<guid isPermaLink="false">http://www.k-type.com/?p=2332</guid>
		<description><![CDATA[<a title="Component" href="?p=2332"><img src="http://www.k-type.com/wp-content/uploads/2012/02/component520.png" alt="Component" title="Component" width="520" height="54" class="alignnone size-full wp-image-2334" /></a><br />
<em>Component</em> evokes the aesthetics of machine-readable matrix barcodes such as QR and Aztec codes, but it could just as easily invoke ancient rituals from a lost civilization. Component is a book-weight, condensed goemetric font with patterns of meaning that lie somewhere between mechanization and magic. And there’s a free italic.]]></description>
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