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	<title>K-Type Independent Type Foundry</title>
	<link>http://www.k-type.com</link>
	<description>K-Type Independent Type Foundry</description>
	<lastBuildDate>Mon, 12 Jul 2010 05:17:28 +0000</lastBuildDate>
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	<item>
		<title>Runestone</title>
		<description><![CDATA[<a title="Runestone" href="?p=1915"><img src="http://www.k-type.com/wp-content/uploads/2010/07/runestone520.gif" alt="Runestone" title="Runestone" class="alignnone size-full" /></a><br />
<em>Runestone</em> is a bold font derived from ancient Runic alphabets carved into standing stones. It also evokes the style of engraved Greek and Phoenician lettering. An additional Small Caps version is included in the download.]]></description>
		<link>http://www.k-type.com/?p=1915</link>
			</item>
	<item>
		<title>K-Type at the Movies</title>
		<description><![CDATA[
Lindy Heymann&#8217;s movie &#8216;Kicks&#8217; is currently receiving critical acclaim and K-Type Roadway is the director&#8217;s choice of font for the title, credits and publicity captions. The film is the story of two teenage girls in Liverpool who share an adoration for a local footballer. When a transfer to Real Madrid is announced, the girls take [...]]]></description>
		<link>http://www.k-type.com/?p=1910</link>
			</item>
	<item>
		<title>Adventuring</title>
		<description><![CDATA[<a title="Adventuring" href="?p=1892"><img src="http://www.k-type.com/wp-content/uploads/2010/04/advent520.gif" alt="Adventuring" title="Adventuring" class="alignnone size-full" /></a><br />
Rock-steady and friendly, yet animated and exciting, <em>Adventuring</em> evolved from the hand drawn, uppercase title lettering used for the 1950s and 1960s dust jackets of Enid Blyton's Famous Five books.]]></description>
		<link>http://www.k-type.com/?p=1892</link>
			</item>
	<item>
		<title>New Old English</title>
		<description><![CDATA[
Designing fonts feels like playing about at a sub-atomic level in some kind of typographical microverse, a godlike noodling with the stuff of creation. Particularly so with New Old English where I would be tampering with tiny particles of history and quite possibly treading on the toes of time. I was aware of impertinently tinkering [...]]]></description>
		<link>http://www.k-type.com/?p=1867</link>
			</item>
	<item>
		<title>New Old English</title>
		<description><![CDATA[<a title="New Old English" href="?p=1849"><img src="http://www.k-type.com/wp-content/uploads/2010/03/newoldeng520.gif" alt="New Old English" title="New Old English" class="alignnone size-full wp-image-1888" /></a><br />
<em>New Old English</em> was prompted by two Victorian coins, the mid nineteenth century gothic crown and gothic florin, which featured a gothic script lowercase with quite modern looking, short ascenders and descenders enabling it to fit snugly around the queen’s head or heraldic motif. With thicker hairline strokes than normal Old English, a less sharp, warmer feel than lettering scripted with a pen, and circular instead of rhombic punctuation, this font is an attempt to capture the round-cornered softness of the die-struck lowercase blackletter. To increase harmony and homogeneity between the cases, the uppercase is narrower and simpler than is customary, without the excessive width or antiquated flamboyance of the traditional blackletter. It might even allow text set in capitals to look acceptable.]]></description>
		<link>http://www.k-type.com/?p=1849</link>
			</item>
	<item>
		<title>I Blame Coco</title>
		<description><![CDATA[
K-Type has been working with Liverpool-based art director Liz Harry to create a personalized font for the band &#8216;I Blame Coco&#8217; and their label, Island Records. Loosely based on Coco Sumner&#8217;s handwritten capitals, the font will be used throughout the current promotion campaign on the web, in print, on merchandising and for a film documentary [...]]]></description>
		<link>http://www.k-type.com/?p=1831</link>
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	<item>
		<title>Gill New Antique</title>
		<description><![CDATA[<a title="Gill New Antique" href="?p=516"><img src="http://www.k-type.com/wp-content/uploads/2010/01/gill520.gif" alt="Gill New Antique" title="Gill New Antique" width="520" height="51" class="alignnone size-full wp-image-1824" /></a><br />
In addition to the Gill New Antique family (Regular, Bold, Italic and Bold Italic), two new weights, Medium and Semibold, are now available. Based on the Roman typefaces of Eric Gill – Perpetua, Joanna, and the hitherto neglected Solus. A tiny portion of Gill Sans, a few extraneous influences too… is this the undiscovered second sans?]]></description>
		<link>http://www.k-type.com/?p=516</link>
			</item>
	<item>
		<title>Soft Sans</title>
		<description><![CDATA[<a title="Soft Sans" href="?p=1763"><img src="http://www.k-type.com/wp-content/uploads/2010/01/softsans520.gif" alt="Soft Sans" title="Soft Sans" width="520" height="55" class="alignnone size-full wp-image-1764" /></a><br />
<em>Soft Sans</em> is a modern sans serif family of fonts, businesslike and classic grotesque in origin, but made friendlier and less austere by the addition of rounded outer corners. Soft Sans is designed for clarity and legibility. The fonts have a healthily large x-height, handwritten forms of a and g, and distinct characters such as a barred uppercase i and a curved foot on the lowercase L.]]></description>
		<link>http://www.k-type.com/?p=1763</link>
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	<item>
		<title>Credit Card</title>
		<description><![CDATA[<a title="Credit Card" href="?p=1745"><img src="http://www.k-type.com/wp-content/uploads/2009/11/creditcard520.gif" alt="Credit Card" title="Credit Card" class="alignnone size-full" /></a><br />
<em>Credit Card</em> is an ALL CAPITALS font for simulating bank cards (and to suggest a context of banking, finance, membership or security). The number keys produce the bigger, squarer digits of the 16 figure card number. There is no lowercase in this font. Instead, the small numerals used for validity dates fill the lowercase letter keys, 1 > 9 being at a > i.]]></description>
		<link>http://www.k-type.com/?p=1745</link>
			</item>
	<item>
		<title>Frank Bellamy</title>
		<description><![CDATA[<a title="Frank Bellamy" href="?p=1724"><img class="alignnone size-full wp-image-1728" title="Excite" src="http://www.k-type.com/wp-content/uploads/2009/08/frank520.gif" alt="Frank Bellamy" /></a><br />
An all capitals family based on the hand lettering of English artist, Frank Bellamy, most famous for his comic art for Eagle and TV21, and his Dr Who illustrations for Radio Times. The uppercase characters are the wider and heavier of the scans, and the lowercase are narrower and lighter letters. The Regular, Bold, Italic and Bold Italic are all supplied.]]></description>
		<link>http://www.k-type.com/?p=1724</link>
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